A fusion of sound, light, and ephemeral atmospheres, Performance con Lucciole is an immersive, experimental event that brings together the distinct artistic voices of Alessandro Sciaraffa, Anna Vignozzi, and Pietro Luca Congedo. Hosted at Stone Oven House in Rorà on July 20, this performance oscillates between electronic experimentation, percussive exploration, and ethereal vocal textures, capturing the fleeting and mysterious essence of fireflies (lucciole).

Alessandro Sciaraffa — Sound Architect and Experimental Composer

Alessandro Sciaraffa moves between contemporary art, sound research, and new media, creating installations and performances where sound is both material and structure. His work often explores sensory perception, transforming spaces through sonic vibrations, electromagnetic fields, and interactive elements. Sciaraffa has exhibited internationally, including at the Venice Biennale and Ars Electronica, and his practice bridges technology and the organic, often incorporating unpredictable natural elements into his performances.

Anna Vignozzi — Voice and Electronic Experimentation

Anna Vignozzi is a musician and performer whose practice merges the human voice with electronic manipulation, sculpting immersive soundscapes that shift between abstraction and intimacy. Her performances explore the liminality between presence and absence, sound and silence, creating sonic environments that evoke emotional and sensory depth. Vignozzi’s work often intersects with contemporary classical music, electroacoustics, and performance art, using extended vocal techniques and digital processing to expand the expressive possibilities of the human voice.

Pietro Luca Congedo — Percussionist and Multi-Instrumentalist

Pietro Luca Congedo is a percussionist whose work defies conventional rhythmic structures, expanding percussion into an avant-garde, textural experience. Drawing from free improvisation, electronic synthesis, and noise aesthetics, Congedo creates dynamic, evolving sonic landscapes that play with resonance, distortion, and layered rhythmic sequences. His background in both contemporary and traditional percussion allows him to push the boundaries between structured composition and spontaneous expression.